abitofgratitude (abitofgratitude) wrote in british_cinema,
abitofgratitude
abitofgratitude
british_cinema

Антология "A Poem for Every Autumn Day", Allie Esiri

Для Edinburgh Festival 2020, режиссёр Paul Weiland






2:10 Tobias Menzies, "Hurrahing in Harvest" by Gerard Manley Hopkins

SUMMER ends now; now, barbarous in beauty, the stooks arise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
Down all that glory in the heavens to glean our Saviour;
And, éyes, heárt, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
Majestic—as a stallion stalwart, very-violet-sweet!—
These things, these things were here and but the beholder
Wanting; which two when they once meet,
The heart rears wings bold and bolder
And hurls for him, O half hurls earth for him off under his feet.


3:55 Jamael Westman, "The Hurt Boy and the Birds" by John Agar

The hurt boy talked to the birds
and fed them the crumbs of his heart.

It was not easy to find the words
for secrets he hid under his skin.
The hurt boy spoke of a bully's fist
that made his face a bruised moon –
his spectacles stamped to ruin.

It was not easy to find the words
for things that nightly hissed
as if his pillow was a hideaway for creepy-crawlies –
the note sent to the girl he fancied
held high in mockery.

But the hurt boy talked to the birds
and their feathers gave him welcome –
Their wings taught him new ways to become.


5:11 Helena Bonham Carter, "A WORD is dead" by Emily Dickinson

A WORD is dead
When it is said,
Some say.
I say it just
Begins to live
That day.


6:04 Jamael Westman, "The Right Word" by Imtiaz Dharker

Outside the door,
lurking in the shadows,
is a terrorist.

Is that the wrong description?
Outside that door,
taking shelter in the shadows,
is a freedom fighter.

I haven’t got this right.
Outside, waiting in the shadows,
is a hostile militant.

Are words no more
than waving, wavering flags?
Outside your door,
watchful in the shadows,
is a guerrilla warrior.

God help me.
Outside, defying every shadow,
stands a martyr.
I saw his face.

No words can help me now.
Just outside the door,
lost in shadows,
is a child who looks like mine.

One word for you.
Outside my door,
his hand too steady,
his eyes too hard
is a boy who looks like your son, too.

I open the door.
Come in, I say.
Come in and eat with us.

The child steps in
and carefully, at my door,
takes off his shoes.


8:24 Helena Bonham Carter, Tobias Menzies, "Leaves" by Ted Hughes

Who’s killed the leaves?
Me, says the apple, I’ve killed them all.
Fat as a bomb or a cannonball
I’ve killed the leaves.

Who sees them drop?
Me, says the pear, they will leave me all bare
So all the people can point and stare.
I see them drop.

Who’ll catch their blood?
Me, me, me, says the marrow, the marrow.
I’ll get so rotund that they’ll need a wheelbarrow.
I’ll catch their blood.

Who’ll make their shroud?
Me, says the swallow, there’s just time enough
Before I must pack all my spools and be off.
I’ll make their shroud.

Who’ll dig their grave?
Me, says the river, with the power of the clouds
A brown deep grave I’ll dig under my floods.
I’ll dig their grave.

Who’ll be their parson?
Me, says the Crow, for it is well-known
I study the bible right down to the bone.
I’ll be their parson.

Who’ll be chief mourner?
Me, says the wind, I will cry through the grass
The people will pale and go cold when I pass.
I’ll be chief mourner.

Who’ll carry the coffin?
Me, says the sunset, the whole world will weep
To see me lower it into the deep.
I’ll carry the coffin.

Who’ll sing a psalm?
Me, says the tractor, with mu gear grinding glottle
I’ll plough Up the stubble and sing through my throttle.
I’ll sing the psalm.

Who’ll toll the bell?
Me, says the robin, my song in October
Will tell the still gardens the leaves are over.
I’ll toll the bell.


11:06 Helena Bonham Carter, "Pheasant" by Sylvia Plath

You said you would kill it this morning.
Do not kill it. It startles me still,
The jut of that odd, dark head, pacing

Through the uncut grass on the elm's hill.
It is something to own a pheasant,
Or just to be visited at all.

I am not mystical: it isn't
As if I thought it had a spirit.
It is simply in its element.

That gives it a kingliness, a right.
The print of its big foot last winter,
The trail-track, on the snow in our court

The wonder of it, in that pallor,
Through crosshatch of sparrow and starling.
Is it its rareness, then? It is rare.

But a dozen would be worth having,
A hundred, on that hill-green and red,
Crossing and recrossing: a fine thing!

It is such a good shape, so vivid.
It's a little cornucopia.
It unclaps, brown as a leaf, and loud,

Settles in the elm, and is easy.
It was sunning in the narcissi.
I trespass stupidly. Let be, let be.


13:22 Tobias Menzies, "Full Moon and Little Frieda" by Ted Hughes

A cool small evening shrunk to a dog bark and the clank of a bucket -
And you listening.
A spider's web, tense for the dew's touch.
A pail lifted, still and brimming - mirror
To tempt a first star to a tremor.

Cows are going home in the lane there, looping the hedges with their warm
wreaths of breath -
A dark river of blood, many boulders,
Balancing unspilled milk.
'Moon!' you cry suddenly, 'Moon! Moon!'

The moon has stepped back like an artist gazing amazed at a work
That points at him amazed.


14:47 Jamael Westman, "Paper Boats" by Rabindranath Tagore

Day by day I float my paper boats one by one down the
running stream.
In big black letters I write my name on them and the name of
the village where I live.
I hope that someone in some strange land will find them and
know who I am.
I load my little boats with shiuli flower from our garden, and
hope that these blooms of the dawn will be carried safely to
land in the night.
I launch my paper boats and look up into the sky and see the little
clouds setting their white bulging sails.
I know not what playmate of mine in the sky sends them down
the air to race with my boats!
When night comes I bury my face in my arms and dream that
my paper boats float on and on under the midnight stars
The fairies of sleep are sailing in them, and the lading is their
baskets full of dreams.


16:27 Tobias Menzies, "Digging" by Seamus Heaney

Between my finger and my thumb
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.


18:32 Jamael Westman, "Western Wind, When Wilt Thou Blow?" Anon

Westron wynde, when wilt thou blow,
The small raine down can raine.
Cryst, if my love were in my armes
And I in my bedde again!


20:00 Helena Bonham Carter, "Letter to NY" by Elizabeth Bishop

In your next letter I wish you'd say
where you are going and what you are doing;
how are the plays, and after the plays
what other pleasures you're pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road goes round and round the park
and the meter glares like a moral owl,

and the trees look so queer and green
standing alone in big black caves
and suddenly you're in a different place
where everything seems to happen in waves,

and most of the jokes you just can't catch,
like dirty words rubbed off a slate,
and the songs are loud but somehow dim
and it gets so terribly late,

and coming out of the brownstone house
to the gray sidewalk, the watered street,
one side of the buildings rises with the sun
like a glistening field of wheat.

—Wheat, not oats, dear. I'm afraid
if it's wheat it's none of your sowing,
nevertheless I'd like to know
what you are doing and where you are going.


22:13 Tobias Menzies, "Ozymandias" by Percy Bysshe Shelley

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”


23:58 Helena Bonham Carter, "Not Waving but Drowning" by Stevie Smith

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.


25:14 Tobias Menzies, "When You Are Old" by William Butler Yeats

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.


26:45 Jamael Westman, "A Shropshire Lad. XIII" by Alfred Edward Housman

When I was one-and-twenty
I heard a wise man say,
‘Give crowns and pounds and guineas
But not your heart away;

Give pearls away and rubies
But keep your fancy free.’
But I was one-and-twenty,
No use to talk to me.

When I was one-and-twenty
I heard him say again,
‘The heart out of the bosom
Was never given in vain;
’Tis paid with sighs a plenty
And sold for endless rue.’
And I am two-and-twenty,
And oh, ’tis true, ’tis true


27:47 Tobias Menzies, "But I Can’t" by W. H. Auden

Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.

If we should weep when clowns put on their show,
If we should stumble when musicians play,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I love you more than I can say,
If I could tell you I would let you know.

The winds must come from somewhere when they blow,
There must be reason why the leaves decay;
Time will say nothing but I told you so.

Perhaps the roses really want to grow,
The vision seriously intends to stay;
If I could tell you I would let you know.

Suppose the lions all get up and go,
And the brooks and soldiers run away;
Will Time say nothing but I told you so?
If I could tell you I would let you know.


29:00 Helena Bonham Carter, "This Is Just To Say" by WILLIAM CARLOS WILLIAMS

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold


29:43 Tobias Menzies, "The Red Wheelbarrow" by William Carlos Williams

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens


30:34 Helena Bonham Carter, "The Guest House" by Rumi

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
As an unexpected visitor.

Welcome and entertain them all!
Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.


32:07 Helena Bonham Carter, "Love after Love" by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.


33:40 Tobias Menzies "Nothing Gold Can Stay" by Robert Frost

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
Tags: актер: tobias menzies, актриса: helena bonham carter
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